丹麥藝術家 Signe Kløve Kjær 曾經擔任藝術家 Simon Levin 的學徒計畫，參與火車窯與蘇打窯的建造，並累積豐富的柴燒實作經驗。她也曾在陶瓷工坊擔任陶藝家，並參與陶瓷與雕塑領域的駐村計畫，持續深化個人的創作實踐與技術能力。
Signe 經由富有紋理的「布料」進行創作，透過泥板壓紋與多色泥漿填充的方式，製作出如同織物般柔軟、可塑的材料，並擅於創造具有趣味性的器皿，透過圖案與形體間的互動，引導使用者展開與器物之間的對話。
而她的作品藉由柴燒過程中，火焰與灰燼所留下的印記，產生不可預測且充滿變化的視覺效果，進一步強化作品的獨特性與生命力。
Danish artist Signe Kløve Kjær previously participated in artist Simon Levin’s apprenticeship program, where she took part in the construction of a train kiln and a soda kiln, gaining extensive hands-on experience in wood firing. She has also worked as a studio potter and participated in residency program in the fields of ceramics and sculpture, continuously deepening her creative practice and technical skills.
Signe approaches her work by treating clay as a textured fabric. Through impressed patterns on clay slabs and the inlaying of colored slips, she creates materials that are soft, pliable, and cloth-like in character. She is particularly skilled at crafting playful, engaging vessels that explore the relationship between form and surface, inviting users to interact and engage in a tactile dialogue with the object.
Her work is further transformed through the wood-firing process, where the marks left by flame and ash create unpredictable and dynamic visual effects. These traces enhance the individuality and vitality of each piece, emphasizing its unique character.
