畢業於台南藝術大學應用藝術研究所陶瓷組的台灣藝術家王乙馨。出生於歷史文化底蘊深厚的台南，從小生活在老城的街道巷弄中，並將生活經驗視為創作的根基。她的作品以台灣早期特有的簍空造型陽台與鋪滿馬賽克花磚的建築為靈感來源，映照著她對家鄉舊時光的深刻情感。並細膩觀察城市裡隨處可見的植物，將其融入建築中，讓原本冰冷堅硬的水泥與磚瓦，因繁茂蔓延的綠意讓老屋也擁有了生命力。
       在她的創作中，密密麻麻的馬賽克磁磚不僅是表面的裝飾，更像是建築的外衣；而簍空造型的陽台框架，如同一層層結構性的外殼，承載著植物持續生長的力量。藝術家將這些元素巧妙拼合，構築出她所稱的「建築花器」，一種介於器物與建築之間的獨特存在。對她而言，花器並非僅僅盛放植物的容器，更是一個能夠孕育生長記憶及情感的空間。
       而她曾經參加香港2025年WHATZ Contemporary ART FAIR 、2021年台南藝術博覽會及2020年台中藝術博覽會等活動，持續在藝術創作中展現熱情與期待。

Taiwanese artist Yi Shin Wang, who graduated from the Ceramics Program of the Graduate Institute of Applied Arts at Tainan National University of the Arts. Born in Tainan, a city steeped in history and culture, she grew up amid the alleys and lanes of the old town, drawing on those lived experiences as the foundation of her creative practice. Her work takes inspiration from Taiwan’s early architectural features—particularly the open-work balconies and buildings clad in intricate mosaic tiles—reflecting a profound affection for the memories of her hometown.

She closely observes the plants that thrive throughout the city and weaves them into her architectural language, allowing cold, rigid concrete and brick to gain new vitality through flourishing greenery. In her creations, the dense fields of mosaic tiles are more than surface decoration; they become the very “outer garment” of a building. The lattice-style balcony frames form layered structural shells that embody the persistent energy of plant growth.

Bringing these elements together, Wang constructs what she calls “architectural planters,” works that exist between vessel and architecture. To her, a planter is not merely a container for plants but a space capable of nurturing memories and emotions.

She has exhibited in the 2025 WHATZ Contemporary Art Fair in Hong Kong, the 2021 Tainan Art Fair, and the 2020 Taichung Art Fair, continually demonstrating her passion and dedication to artistic creation.​